If we move the F#5 fingering down two frets and leave the third string ringing, this Esus2 is created. This one is nice and easy, and sounds great when followed by a D chord played on the open ...
this may follow a D/F# chord, in which case it could make sense to call this Dm/F. Even then, you wouldn’t be wrong to say F6 if you preferred. From a player’s perspective, this chord is easy ...