Both members, who appear in the documentary, saw the film for the first time with a crowd of fans and a group of young Chicano artists whose art was inspired by ASCO’s early rebellion.

He studied art, and in the 1970s ingrained himself in the city’s Chicano cultural scene. As an employee at the short-lived but influential Juarez-Lincoln University, he designed covers for ...

The decades-spanning art and activism of the Chicano collective ASCO - named ... the maid, and the gangster - and gaffes like Marlon Brando in brownface as Mexican revolutionary Emiliano Zapata ...

When filmmaker Travis Gutiérrez Senger reflects on Asco’s legacy, he quickly notes they were more than an art group; they created a movement, one with remarkable influence on Chicano art history.