Simply sign up to the Life & Arts myFT Digest -- delivered directly to your inbox. More Bavouzet – and more delights, as the French pianist continues his admirable survey of the 50-plus Haydn piano ...

Haydn composed 60 sonatas for the piano between the 1750s and 1795. Though six are lost, it represents a significant body of work and, having fallen rather out of fashion in recent years, is now being ...

Ticket seller: Here are your tickets, enjoy the show. Usher: Your tickets, please. Follow me. Jeff Spurgeon: In New York City, there are lots of ways to get to Carnegie Hall, a subway, a taxi, a walk ...

Hearing world-renowned classical musicians perform live is a rare experience for most college students. But Wednesday evening, acclaimed Russian-born pianist Boris Berman will fill the intimate Morse ...

Ekaterina Derzhavina's name was new to me, but this 9-CD set of Haydn's complete piano sonatas should broaden her recognition considerably. Her playing is elegant, stylish, and above all imaginative, ...

Roman Rabinovich – born in Uzbekistan and raised in Israel, and an alumnus of both Juilliard and Curtis – has started a Haydn piano sonata cycle for First Hand Records. The first volume has been ...

If you like to hear Haydn sonatas crisply delivered, i's dotted, t's crossed, with good fingerwork, and in a clean recording, then the Chandos cycle by French pianist Jean-Efflam Bavouzet should have ...

Performances in N.Y.C. Advertisement Supported by Haydn piano sonatas, a Shostakovich explosion and the fantastical opera “Sweet Land” are among the highlights. Paul Lewis (Harmonia Mundi) Not all ...

In the booklet-note Malcolm Bilson speaks of returning to ‘Haydn’s sound world’ but the sound world for No 60 (1794/95) is not the world of the Schanz fortepiano used here. The first edition of this ...

Six lost piano sonatas written by 18th Century composer Franz Joseph Haydn have been found in Germany, a discovery hailed Tuesday as one of the greatest musical coups this century. The sonatas came to ...

SANTA BARBARA — When the American composer Elliott Carter reached the seemingly ripe old age of 80, I interviewed him about his late style. He wasn’t much interested in either looking back or keeping ...

Performances in N.Y.C. Advertisement Supported by critic’s notebook Our chief classical critic took on the daunting Opus 110 in college, and now relishes risky recordings. By Anthony Tommasini For my ...