via The Museum of Modern Art With the exhibition “Vertigo of Color: Matisse, Derain and the Origin of Fauvism,” the Metropolitan Museum of Art cuts to the chase, narrowing the field to Fauvism ...

An exhibition at the Musée d'Art Moderne in Paris examines Marguerite's indelible influence on her father's evolving painting styles ...

Inspired by the colors and textiles around him, the artist’s two trips to Tangier became an impetus for growth and exploration.

In 1905, painter Henri Matisse invited young Parisian artist André Derain to join him ... One critic referred to the artists as "wild beasts" or fauves in French, which gave the movement its ...

The origins of modern art are typically traced back to the ... Comparatively little is said about the earlier influence of the Fauves, led by Henri Matisse and his friend André Derain, who ...

André Derain's 1906 painting La Femme en Chemise showcases Fauvism's bold colors and brushstrokes. National Gallery of Denmark / SMK Photo / Jakob Skou-Hansen In 1905, Henri Matisse and André ...

Titled “The Art of Pattern: Henri Matisse and Japanese Woodcut Artists”, it compares the French Fauvist’s use of color, composition, and pattern to three Japanese printmakers: Kikugawa Eizan ...

Andre Dunoyer de Segonzac and Henri Matisse fare in Paris during the Nazi occupation 1940-44? Given that their Fauve works in German museums had been seized by the Nazis, sold for cash or possibly ...

Matisse, who had been the first Fauve, remained the only Fauve. As Fauvism started to disintegrate, modern painting in France began dividing into two unequal zones. Both started as ground ...

She showed Fauve painters (before they were ever ... his first solo show in Paris and was an early promoter of Matisse. Today, art historians recognize that Weill’s taste was groundbreaking.

Maurice Denis compared seeing a Matisse painting to “the vertigo that a ... the refulgent Saint-Tropez fantasy which launched Fauvism in 1904, casts its dazzle over the opening room, to the ...