The filmmaker was celebrated for his uniquely dark vision in such movies as "Blue Velvet" and "Mulholland Drive" and the TV series "Twin Peaks."
The beloved director was known for his surreal works like "Blue Velvet," "Mulholland Drive," and "Twin Peaks."
Remembering Oldies, but Goodies from the ‘70s Who remembers Dr. Hook & And Medicine Show, an American Rock band that was popular in the 1970s? Some of their songs included “The Cover of the Rolling Stone,
David Lynch, whose death was announced Thursday, was my motion picture lodestar. When his 1977 movie Eraserhead played at an obscure film festival, now long gone, in Woolwich, London, it was like nirvana for a kid raised on The Sound of Music,
The 19-year-old musician was drawn to New York by the promise of counterculture in a part of the city that's a-changin'
On his third album, “The Big Dream,” Lynch teamed up with Swedish singer Lykke Li for the dreamy “I'm Waiting Here,” a breathy, depressed doo-wop anti-hit that sounds like it was recorded in the spot where a sunset horizon hits an open road.
It would be impossible to overstate the late David Lynch‘s impact on The A.V. Club, past and present. To pay tribute, we’re touching up some archival posts and lining up additional features, including this AVQ&A: What’s your favorite David Lynch moment?
The decades-long valorization and near-deification of the late filmmaker David Lynch is a sign of declining cultural standards and decaying societal values. Long ago, the public flocked to films by directors whose artistic visions,
Bob Dylan (b. Robert Allen Zimmerman, 1941-) has sold more than 125 million records over his six-decade career. Considered by many as one of the most important and talented songwriters ever, his many awards include ten Grammy Awards,
On this week's Empire Podcast Chris Hewitt, Alex Godfrey and Beth Webb gather together to bid a hard but heartfelt farewell to the great David Lynch, who sadly died at the age of 78 this week. Over the course of a wide-ranging,
Ray Padgett's Flagging Down the Double E's website and newsletter has become an indispensable resource for Dylan fans all across the globe.
The first sounds you hear when you drop the needle — or click the digital file — on Bob Dylan’s Blood on the Tracks are guitars ringing and chiming, almost like bells. They serve as a kind of preface or overture or opening statement or call to prayer for what the listener is about to hear: 56 minutes of a journey through dark heat into the heart and soul of an artist at the depths of sadness driving him to the heights of creative achievement.