Jim Oblon drops some blues science, demystifying the practice of alternating between parallel minor and major pentatonics ...
This time, I’d like to demonstrate a soloing approach over this rhythm part, using both major and minor pentatonic scales ... inclusion of the major 3rd, F#. Bar 10 is played over C, and ...
Joe begins with a biting bridge pickup lick implying either a G7 or a G minor tonality using G minor pentatonic scale (G Bb C D F ... the colourful 9th interval, F#, towards the end of the ...