Oppenheimer’s latest film, The End, is a Golden Age, postapocalyptic musical crying out from the depths of the earth.
The Act of Killing” director Joshua Oppenheimer reveals what drove him to infuse a postapocalyptic tale with song and dance ...
Deep in a bunker, a family keeps on singing in the year's most nightmarish piece of future shock. Director Joshua Oppenheimer had never made a musical before.
The Oscar-nominated filmmaker stopped by Here & Queer to talk with Peter Knegt about his audacious take on the end of the world.
Director Joshua Oppenheimer, previously a documentarian who has chronicled dark acts of self-delusion, shifts to a postapocalyptic musical with similar themes.
In Slate’s annual Movie Club, film critic Dana Stevens emails with fellow critics—for 2024, Bilge Ebiri, K. Austin Collins, ...
Moving from documentary to the narrative format, Oppenheimer's urge to make a musical about the end of the world was rooted in his observational sensibilities. To hear Oppenheimer tell it ...
Mother (Tilda Swinton) is having a bad dream. Sleeping beside her is the sweet and affable Father (Michael Shannon). She wrestles herself out of a nightmare and is comforted by her husband.