Many Baroque violinists would like to play a very inspiring violin. Maybe something like this Andrea Guarneri, made in Cremona about 350 years ago. But in the past 30 years, I've noticed that we've got a problem. Even very good Baroque violinists sometimes find it difficult to save up a few hundred thousand euros, even by the time they are about to retire—let alone when they need a violin that can help open exciting, beautiful career opportunities that you and your loved ones would be proud of.